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An investigation, whether the writing that is too personal may have literary merit or whether too much truth can affect writing.
How can you even be a goal about writing, which is clearly extremely personal? The answer is: with great difficulty. I asked me about this question after I was asked to check a poetry collection lately, I had the feeling that I could not happen a meaningful judgment, if I looked at painful memories over a lifetime.
The memoire called a child of Dave Pelzer offers an interesting example in this debate. This is not a work of literary merit, it is the report on the abuse of extreme childhood. Trevor Dolby from the British branch of Orion Publishing wrote: "We get 10 letters per day from the people who say the first book that reflects their own childhood that is very depressing." Some people read this work because they could relate to it. The 1.6 million copies, which sold it in the first five years of publication, suggested that she had another appeal that she would not like to consider one who was pathological curious and voyeuristic. In order to add the controversy of a child, the truth of the events of the book was discussed in the book of various professionals and Pelzer family members, of which one asks where the attraction of the book is, if it is not in quality or potentially reality ..
The Bell Jar of Sylvia Plath offers an opposite example. Some have noticed that the period written in the book is almost identical to its own life of the PLATH, with only names and places being changed. However, it is part of the canon of literature and a feministic must read. The difference between these two examples is as it written, but also the subject. Maybe the abuse in a child who has called it is simply too extreme to be literary. There are ways to write about everything, and perhaps said Pelzer ', rather than "as" all the way showed through the book, not focused on one or two moving examples to illustrate a body of experience. The American psycho of Brett Easton Ellis shows us that the real horror and literature merit can meet the real life. However, a child he has referred to as a personal account is the reason to lead literary merit. If it is personal experience, Viellual Pelzer would not have to do more than his report on events.
Writers are often recommended to write what they know, but in the case of a child who named, did not seem to work. Pain does not necessarily mean good writing to contradict the popular writing myth. While bringing elements of places and persons you know, an effective technique can be, your writing is unsuccessful if you do not think about how you write. The last thing a writer desires is for reader to be compassion.
The question of writing, which is too personal, also brings the problem of the truth in writing. Can a written piece be sold as fiction or literary Merit ever "true"? There is a question of the lack of the invoice judge of the writer of events and different interpretations of it, from the writer itself to the readers to take into account. I myself came to look at the truth as a good spot to the pearl of writing form, but otherwise a pointless concept because it is so difficult to define.
As a writer, you have to consider why you want to read your work. When it is about copies to sell, then turn for roller purposes (see fifty colors of the gray series). However, if it is for literary merit, do not think that just a true report on events will do.
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