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Before I ran through the process of work to get my dissertation published - or rather, before my dissertation was completed and I was not sure yet, what or how well it would be - I was worried about any Publisher wants it. No matter that you think about having a choice where I want to find where I will be released to find the best fit for me and the project.
Do not be like me!
When it comes to publishing your dissertation, you have many options and considerations:
In my case, I bought my dissertation manuscript on two presses in which I was particularly interested in, and had performed my exploration of all possible options and their various strengths. One was a very traditional university press with a strong track record in Canadian literature studies (my main field) and the other a younger and innovative university press with a strong and growing list in Canadian life (my genre). My relationships with the acquisition editors I encrypt my suggestion came on the winding, unexpected way that is as often as an uncomplicated pop in the Publish cabin at a conference: a editor with which I shorted during my short Stint worked at one had university press between my master and the doctoral student; The other publisher stretched me the opportunity to write a completely different book after reading my work on H & E, and looked at some of them on the congress and then interested himself at my dissertation manuscript during our conversations.
What next came, was the same for both editors - a series of coffee reunions and exchanging ideas about what I had for my biography of Jay Macpherson and what they thought would do their press with the project and with the Project. I wrote a formal proposal, although I did not necessarily necessarily need that we used as our discussion basis. Because I have a very strong vision for the project - that it is achievable in style and cost that it is a "partial life" and not a cradle-to-serious biography that I have significant control over format and design I shares the same proposal with both editors, despite the very different profiles and approaches to their presses.
In many ways, a publisher felt very much for my manuscript feels like my last job search. I was ready to go on, but I could afford to be very selective - I had a good job, one could stay until the right thing came. So when I interviewed for new positions, I interfeak potential new employers so that they interviewed me - have aligned our interests and approaches? Did we have the same vision for my role? Does the idea have to work together together to work together? I had ended to work for a place where the answer to all this was (and is still nearly three years later) Yes.
Meeting with publishers was much the same. When we met and discussed, we were both assessed whether our interests and approaches were aligned with this book when we had the same vision for the manuscript when the idea of ??working together, excited. It has been pretty fast that a press, especially a vision that was very closely aligned with mine, and besides, the editor had the editor that the editor had ideas for the book I did not even think, but both inspiring and exciting Thought.Because I was clear what I wanted from and for my book, I quickly realized that it was working with the other, traditional press, probably not something that would work well for one of us - they finally wanted something in harmony What she always did what a book would have meant that was less reachable, affordable and innovative than I wanted.
Also chooses a publisher to some extent, felt a bit like dating: How much did I connect with this editor? Could I work with you for a few years to work in the world for a few years? Would you better make me a writer and thinker and the book better? The Crincher came when I recorded a headlong on the way across the sidewalk on the way to outing the editor of the younger press. She handled mine showed her damn, bandaid-strewn, and late with Aplomb, and I realized that I could be with her himself - a whole person who writes books, not just a writer or a brain in an unwieldy, crushed body. A project of this magnitude will make your whole yourself to complete, especially if you work in life in life, and get involved in a personally dedicated type of scholarship as I am, and I wanted to work with someone who does not want to work differently would have.
I decided what was important to me to publish this book, and I found a press that supported these decisions. What is important for you could be different - it could be prestige or money or any other kind of editorial relationship - but you can, and should you decide and then find what you want. The academic publishing could be the market of a buyer, but it is not so much that they have no decisions.So,
I wrote about this other editor to let him know that I would go with the publisher whose vision is narrower with my own, rather than the book to revise the expectations of his publishers, and I signed mine First book contract. My biography of Jay Macpherson should go out with the Wilfrid-Laurier University 2019, and I have a ball with the revisions. I am also super excited to see how this book turns out as my publisher (the charming and brilliant Siobhan-McMenemy), and I have some ideas on how to do something innovative and accessible company.
and Nextup in the series: Contract negotiations!
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